by Marcela Echeverri, History, College of Staten Island
The following were discussion points for the Caribbean Epistemologies seminar meeting on 29 October 2010.
In Chapter 3 of Conscripts of Modernity David Scott tells us he wants to find a strategic point of criticism from which to write “a new history of the postcolonial present” (p. 119). For this he proposes to displace what he finds are prevalent romantic narrative tropes for tragedy. What does it mean to displace a romantic trope? “To move away from the humanist assumption of a pre-constituted will to resist or will to freedom that studies of slavery and slave revolt are obliged to affirm or illustrate” (p. 122). More specifically, Scott suggests that we should go beyond the prevailing emphasis on cultural autonomy, the predominant focus on Africa and resistance, or the very normative expectations of resistance or overcoming. Continue reading Comments on David Scott’s Conscripts of Modernity (Chapter 3)