Remapping the Black Atlantic

Remapping the Black Atlantic (Conference)
Diaspora: (Re)Writings of Race and Space

DePaul University
April 12-14, 2013
Abstracts due October 20, 2012

From conference announcement:

It has been two decades since the publication of Paul Gilroy’s seminal book The Black Atlantic: Modernity and Double Consciousness (1993) which marked a pivotal shift in our understanding of the experience of transnational Black modernity. More than simply understanding Black experiences from around the Atlantic basin as being marginal to or derived from the culture of modernity, Gilroy argued that for over a century and a half, Black intellectuals have travelled and worked in a transnational framework that precludes anything but a superficial association with their country of origin. Expanding on DuBois’ crucial notion of “double consciousness,” Gilroy argued for a modernity broad enough in, scope not simply including the marginal positions of slaves, but also positing the “ungenteel” aspects of slavery and terror as fundamentally crucial to understanding modernity itself. Since the publication of Gilroy’s influential book, there has been a lively and sustained engagement in rethinking the history of African Diaspora and indeed the history of modernity itself. Continue reading Remapping the Black Atlantic

n.paradoxa – Africa and its diasporas

CALL FOR PAPERS

n.paradoxa: international feminist art journal

Volume 31: Africa and its diasporas (Jan 2013)
Guest Editor: Bisi Silva, independent curator and Director CCA, Lagos
(Copy deadline: 15 October 2012, to be published Jan 2013)

In the last two decades, there has been an exponential growth in the visibility of a new generation of women visual artists on or from the continent of Africa as well as a diversification not only in the medium but also in the breadth and complexity of the themes and issues with which they engage, which include the body, sexuality as well as questions of history, culture, patriarchy and post-colonialism. The aim of the volume is to look at women artists’ production across the over 50 countries that make up the continent of Africa as well as at African women artists working in Europe, South and North America and the Caribbean.  The African diaspora is diverse stretching across the Atlantic to the Caribbean, the Americas and across Europe. Continue reading n.paradoxa – Africa and its diasporas

Crossing Thresholds: Decoloniality and Gender in Caribbean Knowledge

A workshop for junior researchers to be hosted by the Society of Caribbean Research (SoCaRe) and the Institute of Romance Languages at the Leibniz Universität Hannover (Germany).

January 23-25,  2013 (Application deadline July 31)
Hannover, Germany

The workshop aims to provide an opportunity for junior researchers (especially doctoral and postdoctoral candidates) to present their projects and engage in interdisciplinary cooperation on current perspectives regarding decolonial gender issues within Caribbean Research. Presentation languages are English, French, Spanish and Portuguese.

See full CFP here for more information.

Please send paper abstracts (300 words) to [email protected] by July 31, 2012.

C.L.R. James’ Beyond a Boundary (CFP)

50th Anniversary Conference
University of Glasgow

May 10-11, 2013 (Abstracts due by October 31, 2012)

Regularly cited as one of the great sports books of the twentieth
century, C.L.R. James’ Beyond a Boundary (1963) is, by his own
famous definition, about far more than cricket. Developing a concern to
understand sport as part of a much wider social and political context (a
concern first articulated in his earlier writings for the Glasgow Herald),
James’ study is part-autobiography, part-historical study and partpolitical-
call-to-arms written against the backdrop of the decolonisation
struggles. His reflections thus reach out into a critical account of racism
and imperialism, into wider questions of aesthetics and popular culture,
and into the struggle for revolutionary social change which was the
enduring concern of his life. Crucially, James insisted that such
questions were not simply of concern to academics or to experts, but
were also a central part of what drew ordinary men and women to
sport.

Much loved, and widely read, James’ study has also been the subject of
searching criticism: he has been accused, among other things, of a
failure of critical judgement in relation to cricket’s role in the moral
framework of empire, of a lack of attentiveness to gendered
inequalities, and of a naïve faith in the spontaneity of popular political
resistance.

This conference is convened on the occasion of the 50th anniversary of
the publication of Beyond a Boundary, with the intention of both
celebrating and questioning, drawing out the book’s intellectual
legacies and identifying the issues it leaves unanswered. We would
welcome original papers dealing with any aspects of Beyond a
Boundary. These might include:

  • critical engagement with or reinterpretation of James’ arguments
  • studies of the production and reception of the book itself
  • interpretations, via James, of contemporary sport
  • reflections on the transnational responses to James’ text
  • discussion of Beyond a Boundary within James’ wider corpus and in relation to his political practice
  • papers reporting on the use of James’ insights and methods in social research, in teaching, in journalism or in political activism.

Abstracts of no more than 250 words should be sent to Andy Smith:
[email protected] by October 31, 2012.

In keeping with James’ own practice, we would ask potential speakers to avoid unnecessary technical jargon,
and to prepare papers intended for a general audience.

Already confirmed keynote speakers for the conference are Mike
Brearley (former England Test captain and previously President of the
British Psychoanalytic Society), and Wai Chee Dimock (Department
of English, Yale) and Robert A. Hill (History, UCLA and C.L.R.
James’ Literary Executor).

Haiti in a Globalized Frame

An International Conference

Winthrop-King Institute for Contemporary French and Francophone Studies
Florida State University, 14-16 February 2013

Confirmed speakers: Arnold Antonin, J. Michael Dash, David Geggus, Dany Laferrière, Kettly Mars, Rodney Saint-Eloi. Bob Shacochis

Conference artist: Édouard Duval Carrié

Special closing event: Dany Laferrière at 60, a celebration

Despite its long periods of economic and political isolation, Haiti has always been an important global center, and a particularly modern entity. Born out of the anticolonial struggles of displaced peoples, an amalgam of diverse languages and cultures, it is quintessentially and irrevocably a creation of global modernity. In the earliest days of the nation, Haiti was not considered by its leaders as an anomalous state or an accident of history, but as an integral part of the Americas and of the broader world. Haiti was the center of a new energy that upset established orders across the globe, throwing up a set of challenges, changes, and paradoxes, the effects of which can still be felt to this day. In Haiti’s subsequent history, it has remained a global center, and its triumphs and struggles and their implications and meanings have always overflowed their immediate temporal and spatial contexts. Refusing to be seen as an aberration, a freak of history, Haiti and its meanings still exceed and go beyond its Caribbean borders, and have shaped the history and culture of the broader Americas and the world in significant, if often hidden and obscured ways. Moreover, contemporary globalization continues to have a significant impact on Haiti as it adjusts and responds to the political and social upheaval of the past decade.

This conference develops questions explored in the events organized by the Leverhulme Trust-funded Oxford Caribbean Globalizations project. Its aim is to bring to light Haiti’s role in shaping history, culture, politics and thought beyond its borders and throughout its history. Importantly, too, we aim to understand how the broader developments in global history and associated processes of globalization have impacted on Haiti. The global frame incorporates other frames, including the Caribbean, the Americas, and the Atlantic World; and we also invite proposals that consider Haiti’s position in any of these other geographical, continental and regional frames. Most generally, we welcome proposals for papers that offer new understandings of Haiti’s place in the world, and the world’s place in Haiti. The conference is interdisciplinary, and we encourage proposals for single papers and panels that offer innovative new approaches that relate to the following, non-exhaustive list of possible themes:

  • The Revolution as a global event
  • Haiti’s natural history and environmentalism
  • Aristide and the Global Left
  • Haitian music in the diaspora
  • Haitian religion in the diaspora
  • Global religious movements in Haiti
  • Haitian visual art and its global presence
  • Global commerce and its effects on Haiti
  • Haiti in global literature
  • Haiti in travel writing
  • Haiti in film
  • Global aid organizations and Haiti
  • Global responses to disasters in Haiti
  • The 2010 earthquake and its after-effects

To submit a proposal for a paper or a panel, please visit the following page: http://www.fsu.edu/~icffs/haiti_call_paper.html

Deadline for submissions: September 14, 2012.

For further information, please contact Martin Munro, [email protected] or Charles Forsdick, [email protected]

Caribbean: Crossroads of the World

A multi-site Caribbean Art exhibit running June 12, 2012 – January 6, 2013. (New York Times review here). Different installations at each site:

 

 

 

 

 

JUNE 14 – OCTOBER 21, 2012
The Studio Museum in Harlem
144 West 125th Street
Wednesday, June 13
6pm–7pm Members’ Preview
7pm–9pm Opening Reception
RSVP to 212.864.4500 x 257 or [email protected]

 

June 12, 2012 – January 6, 2013
El Museo del Barrio
1230 Fifth Avenue at 104th Street
Thursday, June 14
7pm–9:30pm
Members’ Reception and Viewing
RSVP to 212.660.7171 or [email protected]

 

June 17, 2012 – January 6, 2013
Queens Museum of Art
Flushing Meadows Corona Park
Saturday, June 16
6pm–9pm
Opening Reception
RSVP is not required

 

Assistant/Associate Professor with specialty in the Americas

Job Opening:

Assistant or Associate Professor – Social Sciences (Tenure track) with speciality in the Americas

The Department of Interdisciplinary Arts & Sciences at the City College Center for Worker Education/CUNY invites applications for an Assistant or Associate Professor (tenure track) in the Social Sciences, to start on or about September 1, 2012 (Subject to budgetary approval). Field of specialization open, but candidates for this position should be actively engaged in researching and teaching in one or more of the following areas: immigration, globalization, urban studies, labor, and/or educational policy, with an emphasis on the intersections of gender, race, and class in the Americas. The successful candidate will be able to integrate theory and practice in an interdisciplinary curriculum. Continue reading Assistant/Associate Professor with specialty in the Americas

Caribbean Art and the African Diaspora

Tuesday, May 29, 2012, 6:30 PM
Americas Society
680 Park Avenue
New York, NY

A discussion with panelists:
Erica James, Assistant Professor, History of Art and African American Studies, Yale University
Marc Latamie, Artist
Lowery Stokes Sims, Curator, Museum of Arts and Design
Gabriela Rangel, Director of Visual Arts and Chief Curator, Americas Society (Moderator) Continue reading Caribbean Art and the African Diaspora

Reading Wilson Harris’s “History, Fable and Myth”

Reading Wilson Harris’s “History, Fable and Myth” (1970) as a “Foundational Text” in Caribbean Literature and Cultural Studies

by Barbara J. Webb, English, Hunter College and the CUNY Graduate Center 

At an international conference organized in 2001 by Hena Maes-Jelinek in honor of Wilson Harris’s 80th birthday and over 50 years of creative writing, Gordon Rohlehr referred to Harris as “the most admired unread writer of the Caribbean.”  Rohlehr was undoubtedly alluding to the difficulty of Harris’s densely metaphorical, highly abstract writing.  It is also striking that Harris is barely present in Alison Donell and Sarah Lawson Welsh’s Routledge Reader in Caribbean Literature.  In their section on “Caribbean Criticism: Some Seminal Moments” (in the introduction to the period 1966-1979) they describe Harris’s Tradition, The Writer and Society (1967) as “an important and interesting intervention” but they maintain that his “writing, both fictional and critical… has not been easily accommodated within Caribbean literary traditions or critical paradigms and is often categorized as being more akin to the ‘magic realism’ of South American writing” (291).  Andrew Bundy, editor of the Selected Essays (1999) goes so far as to write Harris “out of the Caribbean.” He maintains that “Harris’s study of the fabric of the imagination sets his writing apart from the concerns of West Indian Caribbean writers” (7). Elsewhere Bundy rejects the idea of aligning Harris with certain issues of race, geographic and historical boundaries and situates him among the Central and South American writers that came to prominence in the 1960s. Wilson Harris does draw on a multitude of literary and cultural traditions and like the main character in his novel Black Marsden (1972) it seems that “everything is grist for his mill” (37).  Accordingly his numerous books and essays have been read as modernist/surrealist, postmodern/poststructuralist and of course postcolonialist where he is often given pride of place because of his engagement with questions origins, authenticity, subjectivity, universality and historiography. Continue reading Reading Wilson Harris’s “History, Fable and Myth”

Orlando Patterson in Conversation with David Scott

The Caribbean Epistemologies Seminar presents Orlando Patterson in Conversation with David Scott

May 4th 2012
4pm-6pm
CUNY Graduate Center, Room 5114
365 Fifth Ave, New York, NY

Fifty years into Jamaican independence and twenty years after the publication of his seminal work Slavery and Social Death, Orlando Patterson sits down with renowned anthropologist David Scott to discuss his creative and scholarly work and their implications in the contemporary moment. This is the closing event of our semester of revisiting “foundational texts” (see schedule here). The suggested reading for this event is the Introduction to Slavery and Social Death.

Orlando Patterson, a historical and cultural sociologist, is John Cowles Professor of Sociology at Harvard University and the author of, among other volumes, Slavery and Social Death, Freedom in the Making of Western Culture, and most recently, Rituals of Blood: Consequences of Slavery in Two American Centuries. He has also published three novels: The Children of Sisyphus, An Absence of Ruins, and Die the Long Day. A public intellectual, Professor Patterson was, for eight years, Special Advisor for Social policy and development to Prime Minister Michael Manley of Jamaica. The author of three novels, he has published widely in journals of opinion and the national press.

David Scott is Professor of Anthropology at Columbia University, where he specializes in the study of Caribbean and South Asian culture and Postcolonial thought more broadly.  The editor of Small Axe, he has published several seminal works of Caribbean thought, including Refashioning Futures: Criticism after Postcoloniality, and Conscripts of Modernity: the Tragedy of Colonial Enlightenment (which we read at the inaugural discussion session of the Caribbean Espistemologies Seminar).

Co-sponsored by the Caribbean Epistemologies Seminar and the PhD Program in History

New Issue of Anthurium: A Caribbean Studies Journal

The new Issue of Anthurium: A Caribbean Studies Journal, entitled “New Work in Caribbean Literary and Cultural Studies,” has been published and is now accessible online. This special issue features reviews of a wide range of criticism, poetry performances and visual art exhibitions in Caribbean studies. The issue is available here.

From the introduction by Raphael Dalleo:

Reviewing is a vital scholarly activity. Academic fields are conversations in which participants speak to one another and to their predecessors. Scholarly writing builds on its predecessors and engages in dialogue with its peers, but the publication process for academic work can be so slow that new ideas often take years to elicit responses and debate. Reviews of scholarly work are therefore particularly important as one of the first responses to a new contribution. We are especially happy to offer this issue of Anthurium and to dedicate it to reviews of recently published scholarship in Caribbean literary and cultural studies in order to help facilitate the conversations necessary for a vibrant field. Continue reading New Issue of Anthurium: A Caribbean Studies Journal

The Question of the Social Sciences

The Question of the Social Sciences
A Small Axe Essay Competition

Small Axe is keen to encourage work in the critical and interpretive social sciences. We are interested in the ways in which such disciplines as anthropology, economics, political science, psychology, and sociology seek to grapple with the regional and diasporic Caribbean. This interest stems partly from the fact that the social sciences have been central, historically, to the construction of the “Caribbean” as an object of scholarly inquiry, and central therefore to what we understand the problems are that require investigation and interpretation. But in the past several decades there has been a considerable disciplinary upheaval (engendered by the rise, for example, of poststructuralism, postcolonial studies, and cultural studies) such that the character of the social sciences has altered, and perhaps also social science modes of engaging and constructing the
Caribbean. Continue reading The Question of the Social Sciences