30 March 2018
1144 Dean St., Brooklyn, NY 11216
From March 30 – April 22, 2018, SRO GALLERY is pleased to present “By the Rivers of Babylon,” an exhibition of paintings by the artist and writer Jacqueline Bishop with selections from three separate but overlapping series: “Dudus”; “Landscapes: Jamaica,” and “Babylon & Zion.”
In these three bodies of work, Bishop navigates to find meaning in the conflicted experiences of her birth-land, Jamaica. Bishop states: “As someone who has lived longer outside of my birthplace of Jamaica than I have lived on the island, I am acutely aware of what it means to be simultaneously an insider and an outsider.”
This event has been postponed until further notice.
6:00pm – 8:30pm
22 March 2018
James Room, 4th Floor
Please join us as we host a conversation between authors Erna Brodber (Nothing’s Mat; The Rainmaker’s Mistake, among others) and Nicole Dennis-Benn (Here Comes the Sun) as the first event in the newly-expanded series, Critical Caribbean Feminisms. These authors will discuss issues including the Caribbean and its diaspora, method, feminism, and gender in their work. The conversation with be followed by a discussion moderated by Kaiama L. Glover.
About the Speakers
This conference explores the production of literature and the visual arts by contemporary artists and writers in Haiti, the Dominican Republic, and their diasporas. This event explores collaboration and intermingling within the current production of literature and the visual arts in both countries and in the diaspora. It will contribute to an essential, growing intellectual discourse about Hispañola and its diaspora in the United States.
CFP Deadline: 30 September 2018
In their 2003 book Modern Political Culture in the Caribbean (University of the West Indies Press) Fred Reno and Holger Henke argued – along with various contributors – that political culture in the Caribbean was circumscribed by “a great complexity of social relations and the influence of such variables as race, ethnicity, migration and multi-faceted dependency (for example, of institutional mimicry, strategies of reproduction of metropolitan model by local elites, socio-economic conditions, popular culture) on politics.” In this reader they then asked questions such as “What role do race, historical experience, ethnic fragmentation and economic conditions play? How can civil society – and, thus, the people – come to play a greater role in the political process?”
Much has changed in the last fifteen years and new dimensions exerting palpable influence on the region’s and its various and diverse national units’ political life that warrant renewed attention and examination. Henke and Reno are now tempted to argue that in this age of social media and instant access to information the very nature of civil society is experiencing profound changes. At the same time, the rise of the notion of so-called fake news and the open questioning by many of the – for well-functioning democracies – critical role of the media, and of experts and watchdog institutions poses a severe challenge for the political culture of Caribbean states. Continue reading
CFP Deadline: 1 May 2018
The Haitian History Journal: Haiti and the Atlantic World, published by the Centre International d’Information et de Documentation Haïtienne, Caraïbéenne et Afro-Canadienne (CIDIHCA) in Montreal, is devoted to the history of Haiti and the impact of Haiti`s history throughout the Atlantic region. It will be published once a year. The first issue, projected to appear in late summer/early fall of 2018, will highlight the most recent scholarly research on the Haitian Revolution and its broader impact in the eighteenth- and nineteenth-century Atlantic.
11-15 June 2018
CFP Deadline: 11 April 2018
In keeping with the theme of SURINAME 2018 “Laudato Si”: Caribbean Responses, the Conference on Theology in the Caribbean Today (CTCT) sends out this call for papers to theologians, pastors, pastoral workers, scholars, theology students, activists and other persons interested in exploring the relationship between theological reflection, religious activities and the everyday experience of Caribbean peoples.
3:40pm – 5:15pm
27 February 2018
Woody Tanger Auditorium
Brooklyn College Library
CFP Deadline: 30 March 2018
Volume 2.2 (Summer 2018) will highlight the work of Caribbean Writers, Performance Artists, and Visual Artists working from Canada.
- Critical essays on all aspects of Caribbean Writers [working from Canada] are welcomed entries.
- Previously unpublished poetry and literary nonfiction from Caribbean artists [working from Canada] are welcomed entries.
- Visual art images and video links to performances by Caribbean artists [working from Canada] accompanied by artistic statements also will be accepted for publication consideration.
- Interviews with Caribbean Artists [working from Canada] will be considered as a special feature of Volume 2.2 (Summer 2018).
For consideration by the editorial board, abstracts of 100-200 words may be sent to the editor Dr. Emily Allen Williams at firstname.lastname@example.org. The deadline for abstracts is March 30, 2018.
Important Note: Volume 2.2 was to be published in Summer 2017. Due to geographical relocation by the editor, Caribbean Vistas 2.2 will be published in late Summer 2018. All persons who previously submitted and are still interested in publishing their work, please forward abstracts to Dr. Emily Allen Williams by March 30, 2018.
For further information on publication specifications, visit the online journal at https://caribbeanvistas.wordpress.com/
8 March 2018
Greenlight Bookstore in Prospect Lefferts Gardens
632 Flatbush Ave, Brooklyn, NY
Krystal Sital, journalist and PEN/Fusion Emerging Writers finalist, presents her wrenching, eloquent debut memoir that reveals the hidden trauma and fierce resilience of one Trinidadian family. Continue reading
18-20 October 2018
Application Deadline: 31 March 2018
In 1779, the first permanent resident of what was to become Chicago, IL was arrested by the British army, who suspected him of being an American sympathizer in the U.S. Revolutionary War. Jean Baptiste Point du Sable later moved to St. Charles, MO, where he died in 1818. While his home at the mouth of the Chicago River is now established as a National Historic Landmark, few people realize that this key figure in Midwestern history was of African descent, and likely of Haitian origin, arriving to the Upper Midwest through French Louisiana. He represents one of the most prominent examples of the “Unexpected Caribbean” in the Midwest, and in the greater United States.
Far from being exotic and isolated islands suitable only as tourist destinations or the site of natural disasters, epidemiological crises, and charity work, Caribbean societies have long been integral to U.S. history, economies, and cultural production (as well as the histories, economies, and cultures of England, France, Spain, Portugal, Denmark, and their territories and former colonies). The interplay between Caribbean cultures and people and the rest of the world reveals dynamic relationships and many instances of the Unexpected Caribbean—both within the Caribbean and outside its geographical borders.
The Association of Caribbean Women Writers & Scholars (ACWWS), partnering with KU’s Institute of Haitian Studies and Center of Latin American & Caribbean Studies, is planning a two-day interdisciplinary symposium and an educator workshop for regional teachers focusing on THE UNEXPECTED CARIBBEAN, to be held on the University of Kansas campus in October 2018.
7:00pm – 8:30pm
13 March 2018
Brooklyn Public Library, Central Branch
10 Grand Army Plaza, Brooklyn NY
Tickets $20-$25 (includes book)
Greenlight Bookstore is proud to partner with the Brooklyn Public Library to host an all-ages event to launch Islandborn, the debut picture book from New York Times bestseller and Pulitzer Prize winner Junot Díaz!
This is an intensive week-long professional development workshop designed to help eradicate systemic racism in the field of music by getting teachers and artists to think consciously about their approaches to teaching and performing music. The workshop is taught from a Caribbean perspective and offer strategies for teaching musical traditions that have been marginalized within a system that privileges Western art music and Eurocentric pedagogical methods. This introductory workshop will expose educators to Caribbean history and culture broadly speaking, as well as important musical concepts in the study of Caribbean music. Over the five days of instruction, participants will explore (and rethink) musical concepts common throughout the region, gain an understanding and appreciation for the interconnectedness of the Caribbean region as a whole, and explore music in select countries. Resources for teaching (i.e. music, readings, and classroom exercises) will be made available, as well as suggestions for curriculum development and how to meet national standards.
CFP Deadline: 31 March 2018
Moko is a non-profit journal that publishes fiction, poetry, visual arts, and non-fiction essays that reflect a Caribbean heritage or experience. We were founded in 2013 with a goal to create networks with a Pan-Caribbean ethos in a way that is also sensitive to our location within the Virgin Islands. The journal embraces diversity of experience and self-expression, seeking submissions from both established and emerging writers, artists, and scholars.
Moko is pleased to announce a new special issue for Spring 2018 focusing on Carnival in all its forms edited by Trinidadian writer and editor Anu Lakhan.
Application Deadline: 12 March 2018
The Goizueta Foundation Graduate Fellowship Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of the Goizueta Foundation Graduate Fellowships is to engage emerging scholars with the materials available in the CHC and thus contribute to the larger body of scholarship in Cuban, American, Latinx, hemispheric, and international studies.
Launched in 2010 with a grant from The Goizueta Foundation, the program has grown to support the research of 75 emerging scholars from 38 universities. In 2015 the Foundation made a $1 million gift to endow the program as part of the University’s Momentum2 campaign, allowing the CHC to continue awarding research funding to doctoral candidates from across the United States.