Across the African diaspora, art has been a form of expression and liberation at times of widespread cultural oppression, enabling artists of color to resist the tradition of silencing while preserving their histories, traditions, and more in ways that could be passed down intergenerationally. While much art worked to fulfill a political purpose by pushing for equality and liberty in oppressive cultures, other works aimed at achieving liberation by celebrating Black cultural forms, from the cutting-edge music of Erykah Badu to that of Janelle Monae. Eager to explore art as liberation among other topics, Third Stone accepts submissions year round of art, music, creative writing, short films, scholarship, digital content, and more on Afrofuturism, African-futurism, and the Black fantastic as explored both inside and outside of the borders of the United States.
CFP Deadline: 2 March 2020
“…In this proposed special journal issue, we approach race as a relational concept that not only involves oppressed ‘racial minorities,’ but also white populations who benefit from racial disparities in politically, socially, quotidian, and systemic ways. Seeking to provide a roadmap to examine racial privilege in Latin America and the Caribbean, in this Call for Papers, we encourage abstract submissions from humanists and social scientists whose work carefully examines whiteness in the region, while highlighting critical theoretical debates and empirical approaches…”
To view the full CFP and to submit, please refer to the website.
Above text adapted from email and website.
CFP Deadline: 15 January 2020
The 2018 theme for the 37th Annual West Indian Literature Conference recognized the vast routes/roots that link the Caribbean to the hemisphere and the globe. As many writers and literary scholars have noted, the immense bodies of water that appear to isolate belie the currents that intimately connect, and at times, destroy shelter, lands, and peoples. Deploying Arjun Appadurai’s concept of “scapes” that work to enable the exchange of ideas and information, we engaged a breadth of issues relevant to Caribbeanists in the region and its diasporas. We are now soliciting papers from that conference for publication in an upcoming issue of Anthurium: A Caribbean Studies Journal.
Please upload your submission at anthurium.miami.edu/about/submissions/.
Above text adapted from email.
Deadline: 1 March 2020
“…This collection of essays on the literature or national allegories (Jameson) of the diaspora and the transnational plans to explore the sundry and geographically expansive ways Anglophone literatures by colonized subjects and emigrants negotiate diasporic spaces to create what Benedict Anderson sees as “imagined communities,” or what Homi Bhabha calls “home, a place uncannily oscillating between estrangement and engagement…. Papers will explore the lived experiences of emigrants of the diaspora within this specific linguistic and cultural area, and the extent to which these new and evolving spaces (physical, ontological, and metaphorical) represented in literature are rife with tensions concerning identify, language, and belongingness in the struggle for home…”
Themes could include but are not limited to:
- restlessness and tensions
- resistance to total immersion
- nostalgia, sentimentality, and homesickness
- national schizophrenia
- divided loyalties
- intellectual capital
- and geographical interstices—living uncomfortably in that space between two worlds, one perhaps dead and the other struggling to be born.
Please refer to the post for more information.
Jude V. Nixon (Jnixon@salemstate.edu) and Mariaconcetta Costantini (firstname.lastname@example.org), editors to the volume, or Victoria Echegaray (email@example.com), Vernon Press editor.
Above text adapted from email and webpage.
CFP Deadline: 31 December 2019
Disruption is the new normal. In today’s so-called post-truth Fourth Industrial Revolution, driven by Artificial Intelligence (AI), the Internet of Things (IoT) and Big Data where data is heralded as the “new oil,” the Caribbean faces old and new forms of complexity as the 21st century progresses. The complexities of race, ethnicity, class, language (both official and creole), skin color, indigeneity, gender, sexuality, religion and nationality continue to present challenges and contradictions in the pursuit of improving the lives of Caribbean people or towards inclusive ecological “development.” Yet, in an ever more globalized era of fast-paced technological advancements, AI has transformational potentialities that will affect the complexities that confront Caribbean development and go beyond those associated with the ticklish politics of identity. The combination of the swift pace of technological transformations and the effects of these on political, social and economic organization; on popular culture; and on cultural expression raise intriguing questions about how Caribbean life can be organized towards national, regional and even external development agendas. Moreover, the serious ecological challenges, most prominent of which is currently the threat of climate change, mean that sustainable practices must be at the center of economic development. Although balancing ecological concerns with more traditional approaches to “industry” for development poses challenges, even more daunting are shifts towards more digital and “high-tech” industrial and economic activities. Cloud computing, robotics, genetics, artificial intelligence, 3-D Printing, bio-technology, Nano-technology, intelligent machines, and block chain technologies are but some of the innovations that offer possibilities and perils, and add further layers of complexity to already complicated Caribbean realities. The CSA 2020 conference invites submissions from any disciplinary persuasion that seek to analyze, deconstruct and reflect on the technological transformations, the politics of identity and the somewhat contradictory ecological and industrial imperatives for “development” that combine to affect Caribbean societies and realities.
Proposals are welcomed from the individual thematic areas presented below. Since the themes of the conference are interconnected, we also enthusiastically encourage proposals that explore the linkages between the conference thematic areas. We will also consider proposals that go beyond or fall outside of the suggested thematic areas by exploring issues of significance for the Caribbean. However, priority will be given to proposals that seek to address the conference themes.
A. Identity Politics and Caribbean Development
B. Industry and Ecology
C. Industry and the Intelligent Economy
Please refer to the website for the full CFP and to submit an abstract, and direct any questions to: firstname.lastname@example.org.
Above text and image adapted from email and website.
CFP Deadline: 31 October 2019
This Call For Papers is for a Congress on the Caribbean that will take place in March 2020 in Erlangen (Bavaria), Germany. Questions and/or abstracts (up to 500 words in English, French, or Spanish) should be sent to the email address on the flyer: email@example.com.
Above text and image adapted from email.
20-21 February 2020
Florida State University
CFP Deadline: 30 September 2019
Yarimar Bonilla (Rutgers University), Laura Wagner (freelance anthropologist), and Mark Schuller (Northern Illinois University and Faculté d’Ethnologie – Université d’Etat d’Haïti)
Conference artist: Édouard Duval Carrié
To mark the 10-year anniversary of the Haitian earthquake, this conference proposes a regional approach to disaster that seeks to draw connections between 21st-century experiences of catastrophe in the circum-Caribbean, including the south-east U.S. and North Florida post-Michael. Continue reading From Katrina to Michael: Disaster in the 21st-century Circum-Caribbean
“Caribbean Literary Crossings, Critical Crossroads and Cross-Disciplinary Conversations”
13-15th November 2019
CFP Deadline: 15 July 2019
From the recent treatment of the Windrush generation in Britain to the growing interest in the environmental humanities and the plantationocene, Caribbean literary arts continue to provide insights relevant to our lived experiences. From créolité to cross-cultural dialogue, the boundary-blurring aesthetic of the region is instrumental in throwing into relief fruitful connections important to our understandings of, for example, cultural and socio-political relationships.
Attentive to a region characterised by metaphors of change and interstices, the 19th International Conference on Caribbean Literature seeks to explore how crossroads, crossings and cross-fertilisations continue to be used to figure Caribbean futures. The main aim is to examine the kinds of connections to be developed between, for example, literature and law, speculative fiction and ethics, drama and medicine, poetry and marketing with a view to how these connections can be used to benefit Caribbean development and foster a productive commitment to literature, specifically, and the humanities in general. To this end, papers are therefore invited on topics related, but not limited, to: Continue reading 19th International Conference on Caribbean Literature
“HINTERLANDS : Journeys of the Imagination”
17-20th October 2019
University of Guyana, Turkeyen Campus
CFP Deadline: 20 June 2019
Among the most significant origins of West Indian Literature is The Discovery of Guiana (1597) by one of the “ancestral murderers and poets” (Walcott), Sir Walter Ralegh. The quest for gold, the dream of wealth and power inspired centuries of “history, fable and myth” (Harris), which saw Ralegh himself, and generations of West Indian writers in pursuit of the elusive El Dorado, hidden in the mysteries of the Guianese Hinterland. The “Interiors” (McWatt), the “heartland”, the rainforests – the “hinterland”, is that vast unfathomable region that is largely unexplored, untamed, dynamic; whose definition is yet incomplete and the subject of a continuing journey of exploration and of the imagination.
That is West Indian literature at this time. That is what this conference seeks to interrogate. It is the subject of the conference and a concept of Guyana – the country in which the 38th Annual West Indian Literature Conference will be held.
Continue reading *UPDATED* 38th Annual West Indian Literature Conference
CFP Deadline: 1 August 2019
This Call For Papers is for an amazing Louise Bennett anthology that will be published end of 2019 to honor the 100th birthday of Jamaica’s folk icon. The anthology is seeking to gather 100 submissions from as many writers/ poets/ critics/ artists as possible. Questions should be sent to the email address on the flyer (firstname.lastname@example.org) or to Isis Semaj-Hall directly at email@example.com
Above text and image adapted from email.
CFP Deadline: 1 August 2019
Caribbean Quarterly is now accepting submissions for Enough!, an issue dedicated to addressing child sexual abuse (CSA) in Caribbean culture through an examination of regional literature, film, art, music, and life writing. The journal is currently accepting articles (6000 words), poems (2 pages or less), short prose (1500 words or less), personal narratives (1500 words), and art (photographs, paintings, or drawings in jpeg format) focusing on CSA in the Caribbean.
This issue seeks to bring the art and scholarly communities as well as victims/survivors together to address the critical issue of CSA in the Caribbean region by initiating a conversation. This issue hopes to answer some questions, such as: Why is CSA so prevalent in the Caribbean, and what can be done to address it on a social, familial, and governmental level? Can the Caribbean transform its culture of accepting or concealing CSA? What are the historical origins of CSA culture in the Caribbean and can this narrative be altered? Is there a connection between gender and possible victimization in incidents of CSA in the Caribbean?
Some possible topics include, but are not limited to:
- CSA in Caribbean literature, film, art, poetry, music
- CSA and the Caribbean media
- Addressing CSA in the Caribbean on a socio-cultural level
- Families and CSA in the Caribbean
- Reaching victims/survivors of CSA in the Caribbean
- Addressing CSA in the Caribbean through education
- CSA in the Caribbean and the culture of young girls and older men
- Educating boys and men in the Caribbean on CSA culture
- Victims of CSA in the Caribbean and gender
Please submit an article proposal of 250 words or less to guest editor Camille Alexander at firstname.lastname@example.org by August 1, 2019. Accepted proposals will receive responses by August 20, 2019 with final manuscripts due by December 1, 2019.
Submissions of prose, poems, art, and personal narratives may be submitted at any time before October 1, 2019; responses will be sent by December 1, 2019. For book review enquiries, please review the book list at http://www.uwi.edu/cq/reviews/booksreview.aspx and contact Caribbean Quarterly editor Kim Robinson-Walcott at email@example.com with your book selection preference.
For any additional enquiries about this issue of Caribbean Quarterly, please contact Camille Alexander, Assistant Professor, United Arab Emirates, University, firstname.lastname@example.org.
Above text adapted from webpage.
Fall/Winter 2019 Issue
Theme: “Life at a Crossroads”
CFP Deadline: 19 July 2019
Overview of the Journal:
For the Fall 2019 issue of the Killens Review of Arts & Letters, we seek submissions of creative nonfiction, fiction, essays, interviews, book reviews, poetry, memoir, photography, and visual artwork by writers and artists of the African diaspora that mediate on facing a challenging decision or a life-changing moment that has made an impact on future generations or contributed to the legacy of the Black experience throughout the African diaspora.
THEME DESCRIPTION: “Life at a Crossroads”
In the 1941 book 12 Million Black Voices: A Folk History of the Negro in the United States, a combination of text and photographs that present a commentary on the hardships and aspirations of Blacks in America in the early 1900s, writer Richard Wright ends his prose with: “We are with the new tide. We stand at the crossroads. We watch each new procession. The hot wires carry urgent appeals. Print compels us. Voices are speaking. Men are moving! And we shall be with them.”
Since the publication of 12 Million Black Voices more than 74 years ago, there have been cultural, socioeconomic, and sociopolitical changes in America that have had a dramatic impact on the perspectives, beliefs, and livelihoods of people of the Black community. They have also left an indelible mark on American and world culture. Today, people of the Africa diaspora still stand at a crossroads, a time in which significant change and decision making are crucial to making a contribution to future generations and leaving a legacy to Black culture.
Please submit to only one category at a time:
essay, fiction, interview, poetry, prose, and art.
We aim to respond to your submission within two months time.
Submission Guidelines Continue reading Killens Review of Arts & Letters
CFP Deadline: 15 June 2019
Label Me Latina/o is an online, refereed international e-journal that focuses on Latino Literary Production in the twentieth and twenty-first centuries. The journal invites scholarly essays focusing on these writers for its biannual publication.
Scholarly submissions should be between 12-30 pages, double-spaced, 12 point font and should follow the MLA Style Manual. Please use End Notes rather than Footnotes and place page numbers in the upper right hand corner. Original, unpublished submissions in Microsoft Word (PC compatible format) should be sent electronically to both of the co-directors: Kathryn Quinn-Sánchez email@example.com and Michele Shaul firstname.lastname@example.org
Continue reading Label Me Latina/o
CFP Deadline: 15 June 2019
The Editors of African and Black Diaspora announce a Call for Papers on Black Intellectuals and the Making of the Atlantic World for a special issue of African and Black Diaspora: An International Journal.
During the three decades between the end of World War I and 1950, Black intellectuals (from Africa, Caribbean, the United States), cultural workers, students, artists and political activists forged new conceptions of self beyond the confines of the colonial matrix and forged anti-colonial political and cultural organizations, as well as journals and newspapers, and created wider solidarity networks with progressive organizations and movements in the center of Empire. The new spaces they developed in London, Paris, Lisbon, Berlin etc. … increased the interactions among Black intellectuals in the colonial metropole which functioned as a site of anti-colonial resistance against racism and colonialism. In the process, Black intellectuals and artists, created a dynamic and transnational spaces in which “cultural exchange, production and belonging” (Gilroy 1993) were forged across space and time in the making of the modern Black Atlantic world. Indeed, Black intellectuals during the period and since used a wide variety of cultural productions, and artistic works as a form of language artfully interweaving theatrical, musical, and ritual performance as a rich continuum of cultural exchange that imaginatively reinvented, re-created, and restored the centrality of African diaspora in the making of the modern Black Atlantic world.
The Editors of African and Black Diaspora are seeking papers that examine the development of Black intellectual movements and the various political and cultural networks they developed in the colonial metropolis and how these networks were activated, nurtured to conveyed transnational dialogue among people of the African descent. In what ways have these networks both real and imagined become spaces of knowledge and memory? What cultural resources and political practices were deployed to “improvising new lives…, creating new possibilities … and decolonizing” the metropolis itself (Schwarz, 2003). What political discourse and cultural resources were developed to resist the colonial empire both at home and abroad?
9-12th January 2020
CFP Deadline: 15 March 2019
The presidential theme for the 2020 MLA Annual Convention is Being Human. MLA members are invited to reflect on the role of literature and language in defining the nature of the human in the face of what appears to be its diminishment and to provoke debates on the role of the humanities in a changing world. What has been the role of the creative imagination in marking out the social spaces of what we call humanity? How has literature been called upon to bear witness to both the possibility and limits of the human in the modern world? How has the human condition been thought and written about in diverse historical periods and geographic spaces? Can literature and its criticism continue to inspire the desire for human freedom in an age of intolerance? What is the role of a diverse community of writers and readers in the thinking of the world and our relation to it?
Rafe Dalleo and Sheri Harrison are seeking presentations on the significance of the 1970s to cultural engagements with the Caribbean’s postcolonial history. Email your 300-word abstract and 1-page CV to Rafe Dalleo (email@example.com) and Sheri Harrison (firstname.lastname@example.org ) by March 15, 2019.
Above texts adapted from webpages.