The Blue Flamingo Literary Festival’s Evening of Poetry: Voices across the Diaspora, features seven poets from across the African diaspora whose voices are an important contribution to global literature. Their readings will address broad and compelling themes across the landscape of the human experience.

Date & Time: Friday, 20th November 2020 @ 6:00 P.M.
You can register for this event here.

Featured Poets:
Fabian Adekunle Badejo
Marion Bethel
Dr. Christian Campbell
Kendel Hippolyte
Dr. Simone Savannah
Dr. Ian Strachan
Sonia Williams

Hosted by the University of the Bahamas

 

 

Abstracts: due 26 November 2020
Submit: via email to the editor, Jason Allen-Paisant (J.Allen1@leeds.ac.uk).

Call for Papers

This special issue will explore Afro-diasporic performance practices as a major philosophical site for ‘future-thinking’ around Black lives in the contemporary moment. It will shed light on a form of ‘future-thinking’ in the African diaspora that foregrounds the idea of ‘duties to the dead’. This kind of ‘future-thinking’ is commensurate with a relationship to the dead that emphasizes memory’s presentness in embodied realities and presents History as an embodied archive. Continue reading Special Issue – Parallax: Performing Futures in the African Diaspora: Time, Ritual, Ceremony

Please join the Puerto Rico Syllabus this Friday, October 23rd for “Digital Puerto Rican Studies: Social Scholarship, Mapping, and Archives,” a virtual event and discussion sponsored by LASA-Puerto Rico. Register below:

This event represents the launch of the new website for The Puerto Rico Syllabus, a digital resource for critical thinking and teaching about the Puerto Rican Debt Crisis. In addition to discussing the new “decolonial design” and future plans, The #PRSyllabus will also be in conversation with the leaders of three other digital projects that contribute to Puerto Rican Studies and provide resources for broad publics.

Digital Puerto Rican Studies: Social Scholarship, Mapping, and Archives this Fri, Oct 23rd, 6:00 PM (EDT) | This event will take place on Zoom. Register here to access the link to Zoom.

This event spotlights four digital projects that contribute to Puerto Rican Studies and provide resources for broad publics: The Puerto Rico Syllabus, Proyecto historias orales cayeyanas: Vivencias y resistencias, Visualizando El Apoyo Mutuo: Solidaridad en acción, and the Digital Library of the Caribbean-Archivo Histórico de Vieques.

The event will include moderated discussion about each project, followed by a Q&A with the audience.

This event is sponsored by LASA Puerto Rico, with media co-sponsorship by the Puerto Rico Syllabus project led by Dr. Yarimar Bonilla as part of the Mellon Seminar on Public Engagement and Collaborative Research from the Center for the Humanities at The Graduate Center, CUNY.

Add to the conversation by using #DigitalPRStudies

Continue reading Upcoming Event: Digital Puerto Rican Studies: Social Scholarship, Mapping, & Archives

ABOUT THE BOOK:

Liminal Spaces is an intimate exploration into the migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives – from those who leave Guyana, and those who are left – and seven seminal decades of Guyana’s history – from the 1950s to the present day – bringing the voices of women to the fore. The volume is conceived of as a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana.

Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation’. Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland’, and grapple with ideas of place and accountability.

This volume is a welcome contribution to the scholarly field of international migration, transnationalism, and diaspora, both in its creative methodological approach, and in its subject area – as one of the only studies published on Guyanese diaspora. It will be of great interest to those studying women and migration, and scholars and students of diaspora studies.

Continue reading Liminal Spaces: Migration and Women of the Guyanese Diaspora

The following Caribbean Studies journals published new issues this summer:

Caribbean Quarterly – Volume 66, Issue 2, June 2020
Small Axe – Volume 24, Number 2, July 2020
PREE Caribbean Writing – Issue 5, June 2020
SX Salon – Issue 34, June 2020

Below you will find details of each new issue:

Continue reading Caribbean Studies Journals – Summer 2020 Publications

No registration, tickets, or social media required!

The event will stream on the following days and times (Atlantic GMT-4):

Friday 18 September 4:30pm – 8:45pm

Saturday 19 September 12 noon – 9:00pm

Sunday 20 September 10:30 – 8:30pm

2020 is a milestone year for the NGC Bocas Lit Fest: the tenth year of Trinidad and Tobago’s national literature festival, which has grown into the Anglophone Caribbean’s biggest annual literary celebration.

The 2020 NGC Bocas Lit Fest, running from 18 to 20 September, will go down in history for another reason: it’s the first-ever entirely virtual and online version of the festival, with 80 participating writers and speakers and a programme of free events livestreamed via the Bocas Lit Fest website and on social media.

Many of the 2020 festival events focus on recently published books, some of which will be launched by their authors in this virtual format. Book-lovers can look out for appearances by T&T authors such as Ingrid Persaud, Caroline Mackenzie, Elizabeth Walcott-Hackshaw, Monique Roffey, and Andre Bagoo, alongside writers from the broader Caribbean, including Jacob Ross, Canisia Lubrin, John Robert Lee, and 2020 OCM Bocas Prize winner Richard Georges.

The opening day of the festival, 18 September, has been dubbed Future Friday, presenting a showcase of emerging and established Caribbean speculative fiction writers, exploring the question of what the disruptive events of 2020 mean for the Caribbean in the coming decades and centuries. Organised in partnership with the newly established Caribbean Futures Institute — an international project bringing together writers and scientists — Future Friday will be headlined by a discussion event with star writers Karen Lord, Nalo Hopkinson, Tobias Buckell, and Malka Older.

Continue reading NGC Bocas Virtual Lit Fest

U.S. Embassy Guyana in  collaboration with Caribbean Studies Association celebrated National Caribbean American Heritage Month with a webinar series under the theme: “Caribbean-American Connections, Social Justice and Shared Dreams”.

• June 16: Caribbean – American cultural connections: cultural forms, cultural industries and social justice.
• June 23: Caribbean contributions to race, gender, sexuality and social justice in the USA and the Caribbean.
• June 30: The Caribbean diaspora’s role in building just Caribbean and American futures.

Above adapted from: CSA Newsletter – August 2020

Open Call for Papers: Édouard Glissant – Special issue of Francosphères Journal (December 2021).

Deadline for ABSTRACTS: 1 October 2020

Deadline for ARTICLES (MHRA Style): 1 February 2021

Submit to: jegoussoj@hollins.edu

Publication: December 2021 in Francosphères

“Le monde a toujours été un perpétuel devenir [The world has always been in perpetual becoming]” says Édouard Glissant in 1994 in an interview published in the journal Passages (12). Here, he announced the grounds of the “unpredictable”, “disconcerting”, “complex”, and “intricate” nature of what constituted for him “l’objet le plus haut du poème [the highest purpose of the poem]” (La Terre le Feu l’Eau et les Vents. Une anthologie de la poésie du Tout-monde, 19). However, if the world was a double object of poetry and thought for Glissant, it was also subject to variations in different and successive forms during the course of its literary production (poetry, essay, novel, theater play …). Although imagined and thought of as a “totality”, the world could just as well be “unique” as Glissant writes in his first essay, Sun of Consciousness (1956), asserting then “que tout être vient à la conscience du monde par son monde d’abord ; d’autant universel (pour parler large) qu’il est particulier ; d’autant généreux et commun qu’il a su devenir seul, et inversement ? [that every being comes to the consciousness of the world through his world first; as universal (broadly speaking) as it is unique; as generous and common as it became solitary, and vice versa?]” (18).

Continue reading CFP – Francosphères Journal – The “Trembling” of Édouard Glissant