css.php

Caribbean Studies Journals – Summer 2020 Publications

The following Caribbean Studies journals published new issues this summer:

Caribbean Quarterly – Volume 66, Issue 2, June 2020
Small Axe – Volume 24, Number 2, July 2020
PREE Caribbean Writing – Issue 5, June 2020
SX Salon – Issue 34, June 2020

Below you will find details of each new issue:

Caribbean Quarterly – Volume 66, Issue 2, June 2020

“The impact, pervasiveness, and intractability of crime have become urgent everyday concerns for residents and researchers of the Caribbean. This special issue of Caribbean Quarterly (CQ) probes representations of crime in Caribbean fiction, language, history, popular culture and ethics to help us better understand how and why crime functions structurally and as social action across Caribbean worlds today.”

Table of Contents:

“Historical Truths / New Narratives”, Johnson, Leasho. 165-168.

“Introduction: Crime in Selected Caribbean Territories Culture and Representation”, Kerrigan, Dylan; Morgan, Paula. 169-176

“Not Fit to Be Mentioned”, Hannah, Regis. 177-194.
“Bobol as a Transhistorical Cultural Logic”, Kerrigan, Dylan. 195-216.
“Play Gene Miles!: White Collar Crime, Whistleblowing, and Popular Culture in Trinidad”, Cozier, Renée Maria. 217-239.
“Killing Don’t Need No Reason”: Trauma and Criminality in a Brief History of Seven Killings”, Morgan, Paula. 240-257
“Doh Go Dey”: Crime in Conversations with Gang Members in Trinidad

Figuera, Renée. 258-280

“Criminals, Taliban, Terrorists, Murderers”: Community Perceptions of Police in a Crime Hotspot in Trinidad, Watson, Danielle; Morgan, Paula. 281-300

“A Conflict of Values: The Potentialities of Retributive and Restorative Paradigms in Wilson Harris’s The Whole Armour”,
Gibson, Darin. 301-316.
“Gangs in the Caribbean: Responses of State and Society”, Eugenia O’Neal.317-319
“Intimate Bonds: Family and Slavery in the French Atlantic”, Myers, James.320-322
“José Martí and the Global Origins of Cuban Independence”, Watts, Karl CK.323-325.
“Almost Home: Maroons between Slavery and Freedom in Jamaica, Nova Scotia, and Sierra Leone”, Moulton, Alex A.326-328.

NGC Bocas Virtual Lit Fest

No registration, tickets, or social media required!

The event will stream on the following days and times (Atlantic GMT-4):

Friday 18 September 4:30pm – 8:45pm

Saturday 19 September 12 noon – 9:00pm

Sunday 20 September 10:30 – 8:30pm

2020 is a milestone year for the NGC Bocas Lit Fest: the tenth year of Trinidad and Tobago’s national literature festival, which has grown into the Anglophone Caribbean’s biggest annual literary celebration.

The 2020 NGC Bocas Lit Fest, running from 18 to 20 September, will go down in history for another reason: it’s the first-ever entirely virtual and online version of the festival, with 80 participating writers and speakers and a programme of free events livestreamed via the Bocas Lit Fest website and on social media.

Many of the 2020 festival events focus on recently published books, some of which will be launched by their authors in this virtual format. Book-lovers can look out for appearances by T&T authors such as Ingrid Persaud, Caroline Mackenzie, Elizabeth Walcott-Hackshaw, Monique Roffey, and Andre Bagoo, alongside writers from the broader Caribbean, including Jacob Ross, Canisia Lubrin, John Robert Lee, and 2020 OCM Bocas Prize winner Richard Georges.

The opening day of the festival, 18 September, has been dubbed Future Friday, presenting a showcase of emerging and established Caribbean speculative fiction writers, exploring the question of what the disruptive events of 2020 mean for the Caribbean in the coming decades and centuries. Organised in partnership with the newly established Caribbean Futures Institute — an international project bringing together writers and scientists — Future Friday will be headlined by a discussion event with star writers Karen Lord, Nalo Hopkinson, Tobias Buckell, and Malka Older.

Continue reading NGC Bocas Virtual Lit Fest

National Caribbean American Heritage Month Webinar Series

U.S. Embassy Guyana in  collaboration with Caribbean Studies Association celebrated National Caribbean American Heritage Month with a webinar series under the theme: “Caribbean-American Connections, Social Justice and Shared Dreams”.

  • June 16: Caribbean – American cultural connections: cultural forms, cultural industries and social justice.
  • June 23: Caribbean contributions to race, gender, sexuality and social justice in the USA and the Caribbean.
  • June 30: The Caribbean diaspora’s role in building just Caribbean and American futures.

Above adapted from: CSA Newsletter – August 2020

CFP – Francosphères Journal – The “Trembling” of Édouard Glissant

Open Call for Papers: Édouard Glissant – Special issue of Francosphères Journal (December 2021).

Deadline for ABSTRACTS: 1 October 2020

Deadline for ARTICLES (MHRA Style): 1 February 2021

Submit to: jegoussoj@hollins.edu

Publication: December 2021 in Francosphères

“Le monde a toujours été un perpétuel devenir [The world has always been in perpetual becoming]” says Édouard Glissant in 1994 in an interview published in the journal Passages (12). Here, he announced the grounds of the “unpredictable”, “disconcerting”, “complex”, and “intricate” nature of what constituted for him “l’objet le plus haut du poème [the highest purpose of the poem]” (La Terre le Feu l’Eau et les Vents. Une anthologie de la poésie du Tout-monde, 19). However, if the world was a double object of poetry and thought for Glissant, it was also subject to variations in different and successive forms during the course of its literary production (poetry, essay, novel, theater play …). Although imagined and thought of as a “totality”, the world could just as well be “unique” as Glissant writes in his first essay, Sun of Consciousness (1956), asserting then “que tout être vient à la conscience du monde par son monde d’abord ; d’autant universel (pour parler large) qu’il est particulier ; d’autant généreux et commun qu’il a su devenir seul, et inversement ? [that every being comes to the consciousness of the world through his world first; as universal (broadly speaking) as it is unique; as generous and common as it became solitary, and vice versa?]” (18).

Continue reading CFP – Francosphères Journal – The “Trembling” of Édouard Glissant

Writing Home: American Voices from the Caribbean – Podcast

Conversations/PodcastWriting Home: American Voices from the Caribbean

Current Episodes feature: Naomi Jackson, Alexis Gumbs, & Staceyann Chin.

About the Podcast:

“An outgrowth of the popular “live” Critical Caribbean Feminisms events, which since 2015 have been bringing together established and emerging writers from the Caribbean and its diasporas, WRITING HOME is an ode to the Americas very literally writ large. Each episode features an exceptional contemporary cultural actor in conversation with hosts Kaiama L. Glover and Tami Navarro and aims to trace the geographies of resistance that ground our feminist practices of diaspora. The beauty, humor, and hope that animate these encounters are a welcome antidote to the heartbreak of the present moment.”

Above adapted from: Writing Home website