7:00pm – 8:30pm
13 March 2018
Brooklyn Public Library, Central Branch
10 Grand Army Plaza, Brooklyn NY
Tickets $20-$25 (includes book)
Greenlight Bookstore is proud to partner with the Brooklyn Public Library to host an all-ages event to launch Islandborn, the debut picture book from New York Times bestseller and Pulitzer Prize winner Junot Díaz!
This is an intensive week-long professional development workshop designed to help eradicate systemic racism in the field of music by getting teachers and artists to think consciously about their approaches to teaching and performing music. The workshop is taught from a Caribbean perspective and offer strategies for teaching musical traditions that have been marginalized within a system that privileges Western art music and Eurocentric pedagogical methods. This introductory workshop will expose educators to Caribbean history and culture broadly speaking, as well as important musical concepts in the study of Caribbean music. Over the five days of instruction, participants will explore (and rethink) musical concepts common throughout the region, gain an understanding and appreciation for the interconnectedness of the Caribbean region as a whole, and explore music in select countries. Resources for teaching (i.e. music, readings, and classroom exercises) will be made available, as well as suggestions for curriculum development and how to meet national standards.
CFP Deadline: 31 March 2018
Moko is a non-profit journal that publishes fiction, poetry, visual arts, and non-fiction essays that reflect a Caribbean heritage or experience. We were founded in 2013 with a goal to create networks with a Pan-Caribbean ethos in a way that is also sensitive to our location within the Virgin Islands. The journal embraces diversity of experience and self-expression, seeking submissions from both established and emerging writers, artists, and scholars.
Moko is pleased to announce a new special issue for Spring 2018 focusing on Carnival in all its forms edited by Trinidadian writer and editor Anu Lakhan.
Application Deadline: 12 March 2018
The Goizueta Foundation Graduate Fellowship Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of the Goizueta Foundation Graduate Fellowships is to engage emerging scholars with the materials available in the CHC and thus contribute to the larger body of scholarship in Cuban, American, Latinx, hemispheric, and international studies.
Launched in 2010 with a grant from The Goizueta Foundation, the program has grown to support the research of 75 emerging scholars from 38 universities. In 2015 the Foundation made a $1 million gift to endow the program as part of the University’s Momentum2 campaign, allowing the CHC to continue awarding research funding to doctoral candidates from across the United States.
Application Deadline: 16 February 2018
The University of Pittsburgh’s Kenneth P. Dietrich School of Arts and Sciences invites applications for a two-year postdoctoral fellowship in the Department of History centered on race and inequality in America, beginning August 2018. The successful applicant will contribute to our long tradition of engaging scholars on the intersections of race and ethnicity in comparative perspective.
Decolonizing Bodies: Engaging Performance
23rd to 26th May 2018
University of the West Indies
Cave Hill Campus, Barbados
CFP Deadline: 15 February 2018
The University of the West Indies Errol Barrow Centre for Creative Imagination (EBCCI) invites proposals for papers; movement workshops; performances; site-specific works; academic posters; dance for the camera; theater, and multidisciplinary projects for the Errol Barrow Centre for Creative Imagination 3rd Biennial International Dance Conference, May 23rd to 26th, 2018.
We welcome dance professionals, practitioners and scholars across disciplines from around the world whose research focuses on decolonization to contribute to dynamic discussions and cultural encounters on the topic: “Decolonizing Bodies: Engaging Performance”.
Book Launch: Katia D. Ulysse presents Mouths Don’t Speak
In conversation with Ibi Zoboi
Thursday, 11 January
Greenlight Bookstore in Prospect Lefferts Gardens
632 Flatbush Ave
Greenlight Bookstore and Haiti Cultural Exchange Host Book Launch for Pushcart Prize Nominee Continue reading
Popular Culture, Entrepreneurship and the Saint Lucian Ethic
20th to 22nd June 2018
Castries, St. Lucia
CFP Deadline: 29 February 2018
Up from Enslavement
30 June, 2018
CFP Deadline: Abstract must be submitted on or before 8 June 2018
Professor Emeritus Dr. Ian Roberson of the University of the West Indies (St. Augustine Campus), is the Keynote Speaker
Spring/Summer 2018 Issue
Theme: “Gathering at the Waters: Connecting Family and Community through Literature and Art”
CFP Deadline: 19 January 2018
Cover and Table of Contents of Fall/Winter 2017 Killens Review
The theme of “Gathering at the Waters” connotes bringing together family and communities to
look at the ways in which we affect and are part of each other’s lives. For the upcoming issue of
the Killens Review of Arts & Letters, Spring/Summer 2018, we want to continue that
exploration of “connecting family through literature and art” in the works of writers of the
African diaspora. We seek submissions of creative nonfiction, fiction, essays, interviews, book
reviews, poetry, memoir, photography, and visual artwork on the subjects of family, community,
and unity in narratives that tell of healing, nurturing, cleansing, and reflection in the times we
Gathering at the Waters:
Healing, Legacy, and Activism in Black Literature
22nd to 25th March 2018
Brooklyn, New York (USA)
CFP Deadline: 15 January 2018
The theme of the 14th National Black Writers Conference, “Gathering at the Waters: Healing, Legacy, and Activism in Black Literature,” acknowledges our concern about the recent, and still continuing, issues of social inequality and injustices that challenge us and builds on the legacy of healing through activism. This timely theme centers on the ways in which Black writers use their writing to explore and convey messages that heal and restore our individual selves and collective community. The Conference will also examine the instrumental role that Black writers have played in building our cultural history; the imprint that this has left in Black literature; and how the literature of Black writers has impacted present-day and future generations.
CFP Deadline: 5 January 2018
We are seeking submissions for consideration for publication in the volume “BRAND JAMAICA”: Re-Imagining Jamaica’s National Image & Identity (under contract with University of Nebraska Press).
The volume offers a critique of the existing models within which Jamaica’s global image is framed. As Jamaica recognizes more than half a century as an independent nation, the time is apt for Jamaican authorities to interrogate, deconstruct and re-imagine how they constitute the nation’s public image, and the way they project the nation in the world. The volume offers such a rethinking. It problematizes the current tourism model of “sun, sand and sea”, particularly within the context of post-coloniality, and examines the ways in which it excludes and obscures other crucial aspects of Jamaica’s public international image and ignores the unintentional images, vistas, and stereotypes it creates. The primary aim of the volume is to highlight some of the problematic aspects of Jamaica’s nation branding project and advocate for a paradigmatic shift in the model of nation branding Jamaica undertakes – one which is more comprehensive, complete, and offers a critical articulation of the nation that locates the Jamaican people at the center and acknowledges, if not addresses, the realities of Jamaica.
Review of applications will begin on 1 February 2018
The Africana Studies Program at Bowdoin College invites applications for a one-year Mellon postdoctoral fellowship in African Studies (Sub-Saharan West Africa) or African Diaspora Studies (West Africa and some area, or areas, of the Atlantic World, excluding the US) to begin July 1, 2018. The field is open to applicants from any academic discipline. Fellows are expected to teach three courses, that include a combination of introductory and intermediate lectures and seminars, and to participate in the life of the program.
7:00pm – 8:30pm
1 December 2017
Medgar Evers College, CUNY
Admission: $20 at the door or online
My Music, My Culture: The Caribbean Diaspora in Brooklyn takes audiences on a journey through the music of the Caribbean diaspora in Brooklyn, with a focus on the music of Trinidad and Tobago. A musical adaptation of and ode to her recently published ethnographic memoir, East of Flatbush, North of Love, artist-scholar Danielle Brown, Ph.D. teaches the audience about the history and culture of Trinidad and Tobago the same way that she was taught—through song. Accompanied by a 4-piece band, Brown interweaves the music of the U.S., Trinidad and Tobago, and the larger Caribbean region to tell an immigrant story—made more poignant by the times in which we are living—and reveal how the legacy of colonialism and imperialism continues to impact people of color today.
Above text and images adapted from email.