Book Launch: The English Translation of Frantz Fanon’s “Alienation and Freedom”

5:30pm
16 April 2018
19 Washington Square North, Events Space
RSVP here

You are cordially invited to celebrate the launch of the English translation of Franz Fanon’s Alienation and Freedom, edited by Jean Khalfa and Robert JC Young, translated by Steven Corcoran and published by Bloomsbury Press. The first collection of new writings by Frantz Fanon to be published in over 50 years, the book contains two previously unpublished plays, the bulk of Fanon’s psychiatric writings including his editorials for his hospital journal, additional political writings, letters and a complete annotated bibliography of Fanon’s library.

Join the editors for a panel discussion on the significance of this new work by Fanon with Emily Apter (NYU), Ato Quayson (NYU), Bruce Robbins (Columbia University)and Toral Gajarawala (NYU).

Refreshments witll be served. Hosted by Bloomsbury Press and NYU Abu Dhabi.

Above text and image adapted from email.

(En)gendering the Atlantic World Conference

11:30am – 6:00pm
20th to 21st April 2018
Glucksman Ireland House
New York University
Registration: $10 online or by check

The faculty and students of the Atlantic World Workshop at New York University are delighted to announce our upcoming conference, “(En)gendering the Atlantic World.” Over the last five decades, historians have demonstrated that focusing on gender enables a deeper understanding of the diversity of human experience, ideologies, and epistemologies that shaped the Atlantic World. This conference builds on that work, considering both ideologies and human experience in using gender as a central framework for investigating the intertwined histories of the peoples and polities of Africa, the Americas, and Europe. How did ideologies of gender mold, refine, and/or challenge other structures of power in the Atlantic? What does centering gender provide us with that is otherwise lost, erased, or silenced? What new methodologies and approaches are made available by reading existing archives through the lens of gender?

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Afro-Latinx Futures Series

The Afro-Latinx Futures series is committed to publishing scholarly monographs and edited collections that center Blackness and Afrolatinidad from a variety of theoretical and methodological perspectives in the humanities and social sciences. Taking a hemispheric approach, we seek work that foregrounds the lives and contributions of Afro-Latinx peoples across Latin America, the Caribbean, and the diasporic U.S. and Canada. We welcome projects that introduce new historical figures and archival findings, focus on understudied regions and communities, establish innovative interdisciplinary frameworks, and challenge conventional canonical formations.


Belkis Ayón, “Sin título (Sikán con chivo)” 1993, collograph; Cuba.

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Opening Reception of ‘By the Rivers of Babylon’ by Jacqueline Bishop

6:00pm – 9:00pm
30 March 2018
SRO Gallery
1144 Dean St., Brooklyn, NY 11216

From March 30 – April 22, 2018, SRO GALLERY is pleased to present “By the Rivers of Babylon,” an exhibition of paintings by the artist and writer Jacqueline Bishop with selections from three separate but overlapping series: “Dudus”; “Landscapes: Jamaica,” and “Babylon & Zion.”

In these three bodies of work, Bishop navigates to find meaning in the conflicted experiences of her birth-land, Jamaica. Bishop states: “As someone who has lived longer outside of my birthplace of Jamaica than I have lived on the island, I am acutely aware of what it means to be simultaneously an insider and an outsider.”

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EVENT POSTPONED: Critical Caribbean Feminisms: A Dialogue

This event has been postponed until further notice.

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6:00pm – 8:30pm
22 March 2018
James Room, 4th Floor
Barnard Hall

Please join us as we host a conversation between authors Erna Brodber (Nothing’s Mat; The Rainmaker’s Mistake, among others) and Nicole Dennis-Benn (Here Comes the Sun) as the first event in the newly-expanded series, Critical Caribbean Feminisms. These authors will discuss issues including the Caribbean and its diaspora, method, feminism, and gender in their work. The conversation with be followed by a discussion moderated by Kaiama L. Glover.

About the Speakers

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Art and Literature in Contemporary Dominican Republic, Haiti, and their Diasporas

1:00pm – 8:00pm
15 March 2018
Room C198 – Center for the Humanities
CUNY Graduate Center

This conference explores the production of literature and the visual arts by contemporary artists and writers in Haiti, the Dominican Republic, and their diasporas. This event explores collaboration and intermingling within the current production of literature and the visual arts in both countries and in the diaspora. It will contribute to an essential, growing intellectual discourse about Hispañola and its diaspora in the United States.

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Modern Political Culture in the Caribbean

CFP Deadline: 30 September 2018

In their 2003 book Modern Political Culture in the Caribbean (University of the West Indies Press) Fred Reno and Holger Henke argued – along with various contributors – that political culture in the Caribbean was circumscribed by “a great complexity of social relations and the influence of such variables as race, ethnicity, migration and multi-faceted dependency (for example, of institutional mimicry, strategies of reproduction of metropolitan model by local elites, socio-economic conditions, popular culture) on politics.”  In this reader they then asked questions such as “What role do race, historical experience, ethnic fragmentation and economic conditions play?  How can civil society – and, thus, the people – come to play a greater role in the political process?”

Much has changed in the last fifteen years and new dimensions exerting palpable influence on the region’s and its various and diverse national units’ political life that warrant renewed attention and examination.  Henke and Reno are now tempted to argue that in this age of social media and instant access to information the very nature of civil society is experiencing profound changes.  At the same time, the rise of the notion of so-called fake news and the open questioning by many of the – for well-functioning democracies – critical role of the media, and of experts and watchdog institutions poses a severe challenge for the political culture of Caribbean states. Continue reading

Haitian History Journal: Haiti and the Atlantic World/Revue d’histoire d’Haïti: Haïti et le Monde Atlantique

CFP Deadline: 1 May 2018

The Haitian History Journal: Haiti and the Atlantic World, published by the Centre International d’Information et de Documentation Haïtienne, Caraïbéenne et Afro-Canadienne (CIDIHCA) in Montreal, is devoted to the history of Haiti and the impact of Haiti`s history throughout the Atlantic region. It will be published once a year. The first issue, projected to appear in late summer/early fall of 2018, will highlight the most recent scholarly research on the Haitian Revolution and its broader impact in the eighteenth- and nineteenth-century Atlantic.

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VISIONARY APONTE: ART & BLACK FREEDOM (A SYMPOSIUM)

This symposium will gather scholars and artists discussing the figure of José Antonio Aponte and the art exhibit on view at the King Juan Carlos I of Spain Center from 23 February to 4 May, Visionary Aponte: Art and Black Freedom.

Symposium:
Friday, 23 February
9:00am5:00pm
King Juan Carlos I Center
New York University
53 Washington Sq S
New York, NY

19th Conference on Theology in the Caribbean Today

11th to 15th June 2018
Paramaribo, Suriname

CFP Deadline: 11 April 2018

In keeping with the theme of SURINAME 2018 “Laudato Si”: Caribbean Responses, the Conference on Theology in the Caribbean Today (CTCT) sends out this call for papers to theologians, pastors, pastoral workers, scholars, theology students, activists and other persons interested in exploring the relationship between theological reflection, religious activities and the everyday experience of Caribbean peoples.

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Caribbean Vistas Journal Volume 2.2 (Summer 2018)

CFP Deadline: 30 March 2018

Volume 2.2 (Summer 2018) will highlight the work of Caribbean Writers, Performance Artists, and Visual Artists working from Canada.

  • Critical essays on all aspects of Caribbean Writers [working from Canada] are welcomed entries.
  • Previously unpublished poetry and literary nonfiction from Caribbean artists [working from Canada] are welcomed entries.
  • Visual art images and video links to performances by Caribbean artists [working from Canada] accompanied by artistic statements also will be accepted for publication consideration.
  • Interviews with Caribbean Artists [working from Canada] will be considered as a special feature of Volume 2.2 (Summer 2018).

For consideration by the editorial board, abstracts of 100-200 words may be sent to the editor Dr. Emily Allen Williams at akilahw@msn.com. The deadline for abstracts is  March 30, 2018.

Important Note:  Volume 2.2 was to be published in Summer 2017. Due to geographical relocation by the editor, Caribbean Vistas 2.2 will be published in late Summer 2018. All persons who previously submitted and are still interested in publishing their work, please forward abstracts to Dr. Emily Allen Williams by March 30, 2018.

For further information on publication specifications, visit the online journal at https://caribbeanvistas.wordpress.com/

Above text adapted from webpage.

“The Unexpected Caribbean” Symposium

18th to 20th October 2018
Lawrence, Kansas

Application Deadline: 31 March 2018

In 1779, the first permanent resident of what was to become Chicago, IL was arrested by the British army, who suspected him of being an American sympathizer in the U.S. Revolutionary War. Jean Baptiste Point du Sable later moved to St. Charles, MO, where he died in 1818. While his home at the mouth of the Chicago River is now established as a National Historic Landmark, few people realize that this key figure in Midwestern history was of African descent, and likely of Haitian origin, arriving to the Upper Midwest through French Louisiana. He represents one of the most prominent examples of the “Unexpected Caribbean” in the Midwest, and in the greater United States.

Far from being exotic and isolated islands suitable only as tourist destinations or the site of natural disasters, epidemiological crises, and charity work, Caribbean societies have long been integral to U.S. history, economies, and cultural production (as well as the histories, economies, and cultures of England, France, Spain, Portugal, Denmark, and their territories and former colonies). The interplay between Caribbean cultures and people and the rest of the world reveals dynamic relationships and many instances of the Unexpected Caribbean—both within the Caribbean and outside its geographical borders.

The Association of Caribbean Women Writers & Scholars (ACWWS), partnering with KU’s Institute of Haitian Studies and Center of Latin American & Caribbean Studies, is planning a two-day interdisciplinary symposium and an educator workshop for regional teachers focusing on THE UNEXPECTED CARIBBEAN, to be held on the University of Kansas campus in October 2018.

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