Killens Review of Arts & Letters

Fall/Winter 2019 Issue
Theme: “Life at a Crossroads”

CFP Deadline:  19 July 2019

Overview of the Journal:

For the Fall 2019 issue of the Killens Review of Arts & Letters, we seek submissions of creative nonfiction, fiction, essays, interviews, book reviews, poetry, memoir, photography, and visual artwork by writers and artists of the African diaspora that mediate on facing a challenging decision or a life-changing moment that has made an impact on future generations or contributed to the legacy of the Black experience throughout the African diaspora.

THEME DESCRIPTION: “Life at a Crossroads”

In the 1941 book 12 Million Black Voices: A Folk History of the Negro in the United States, a combination of text and photographs that present a commentary on the hardships and aspirations of Blacks in America in the early 1900s, writer Richard Wright ends his prose with: “We are with the new tide. We stand at the crossroads. We watch each new procession. The hot wires carry urgent appeals. Print compels us. Voices are speaking. Men are moving! And we shall be with them.”

Since the publication of 12 Million Black Voices more than 74 years ago, there have been cultural, socioeconomic, and sociopolitical changes in America that have had a dramatic impact on the perspectives, beliefs, and livelihoods of people of the Black community. They have also left an indelible mark on American and world culture. Today, people of the Africa diaspora still stand at a crossroads, a time in which significant change and decision making are crucial to making a contribution to future generations and leaving a legacy to Black culture.

Please submit to only one category at a time:
essay, fiction, interview, poetry, prose, and art.
We aim to respond to your submission within two months time.

Submission Guidelines Continue reading Killens Review of Arts & Letters

2020-2021 Fulbright U.S. Scholar Program

Application Deadline: 16 September 2019

The 2020-2021 Fulbright U.S. Scholar Program is accepting applications from U.S.-citizen academics and professionals through the deadline of September 16th, 2019. Fulbright Scholars are selected for their academic merit and leadership potential to teach, research, and exchange ideas. There are over 450 awards available in more than 130 countries; complete details are located in the Catalog of Awards.

Eligibility criteria, application guidelines, review criteria, as well as other resources are available on the Fulbright website. Fulbright also offers webinars throughout the application season, which provide additional details about the program and allow for audience Q&A participation.

Fulbright offers awards for Teaching, Research, or Teaching and Research in the Caribbean region in the following countries: 

Above text adapted from email.

Label Me Latina/o

CFP Deadline: 15 June 2019

Label Me Latina/o is an online, refereed international e-journal that focuses on Latino Literary Production in the twentieth and twenty-first centuries. The journal invites scholarly essays focusing on these writers for its biannual publication.

Scholarly submissions should be between 12-30 pages, double-spaced, 12 point font and should follow the MLA Style Manual. Please use End Notes rather than Footnotes and place page numbers in the upper right hand corner. Original, unpublished submissions in Microsoft Word (PC compatible format) should be sent electronically to both of the co-directors: Kathryn Quinn-Sánchez [email protected] and Michele Shaul [email protected]
Continue reading Label Me Latina/o

Black Intellectuals and the Making of the Atlantic World

CFP Deadline: 15 June 2019

The Editors of African and Black Diaspora announce a Call for Papers on Black Intellectuals and the Making of the Atlantic World for a special issue of African and Black Diaspora: An International Journal.

During the three decades between the end of World War I and 1950, Black intellectuals (from Africa, Caribbean, the United States), cultural workers, students, artists and political activists forged new conceptions of self beyond the confines of the colonial matrix and forged anti-colonial political and cultural organizations, as well as journals and newspapers, and created wider solidarity networks with progressive organizations and movements in the center of Empire. The new spaces they developed in London, Paris, Lisbon, Berlin etc. … increased the interactions among Black intellectuals in the colonial metropole which functioned as a site of anti-colonial resistance against racism and colonialism. In the process, Black intellectuals and artists, created a dynamic and transnational spaces in which “cultural exchange, production and belonging” (Gilroy 1993) were forged across space and time in the making of the modern Black Atlantic world. Indeed, Black intellectuals during the period and since used a wide variety of cultural productions, and artistic works as a form of language artfully interweaving theatrical, musical, and ritual performance as a rich continuum of cultural exchange that imaginatively reinvented, re-created, and restored the centrality of African diaspora in the making of the modern Black Atlantic world.

The Editors of African and Black Diaspora are seeking papers that examine the development of Black intellectual movements and the various political and cultural networks they developed in the colonial metropolis and how these networks were activated, nurtured to conveyed transnational dialogue among people of the African descent. In what ways have these networks both real and imagined become spaces of knowledge and memory? What cultural resources and political practices were deployed to “improvising new lives…, creating new possibilities … and decolonizing” the metropolis itself (Schwarz, 2003). What political discourse and cultural resources were developed to resist the colonial empire both at home and abroad?

Continue reading Black Intellectuals and the Making of the Atlantic World

IRADAC Presents a Round-Table: Critical Perspectives and Current Trends in Afro-Latinx Studies

6:30pm – 8:00pm
12 April 2019
CUNY Grad Center, Room C197

Round-table panel:

  • William Luis, Vanderbilt University
  • Sophie Maríñez, Borough of Manhattan Community College
  • Jill T. Richardson, The Graduate Center & Borough of Manhattan Community College
  • Silvio Torres-Saillant, Syracuse University

Moderated by Richard Pérez, John Jay College

Above text and image adapted from webpage.

Recent Publication – Journal of West Indian Literature: Special Issue on Marlon James

Journal of West Indian Literature
Volume 26, Issue 2
November 2018

The Journal of West Indian Literature presents a special issue dedicated to the novels of Marlon James. “From his first novel, John Crow’s Devil, that engages queer sexual identity, religious dogmatism and violence, through his outstanding second novel, The Book of Night Women, that focuses on slavery, racial hegemony and female agency, to The Brief History of Seven Killings, which looks at the political upheaval of the 1970s, transnational crime and popular culture, James has created dramatic renditions of Jamaican history.” (CFP)

The Journal of West Indian Literature (JWIL) is a UWI-led Caribbeanist project invested in highlighting and critically examining the prolific literary production of the Anglophone Caribbean. The journal publishes articles in English that are the result of scholarly research in literary textuality (fiction, poetry, drama, film, theory and criticism) of the English speaking (cricket playing) Caribbean and in translation from other parts of the archipelago.  JWIL also publishes book reviews, and, in time, hopes to include reviews of theatre and film productions.


Continue reading Recent Publication – Journal of West Indian Literature: Special Issue on Marlon James

The Jamaican 1950s: ​A Symposium

4-6 April 2019
University of Pennsylvania 

As we think about the long 1950s (1948-1962) in Jamaica, we think in terms of a series of displacements. The period begins with the sailing of the H.M.T. Empire Windrush to London, the establishment of the University of the West Indies, and Evon Blake’s integration of the Myrtle Bank pool. The 1949 elections result in another, though reduced, Jamaica Labour Party victory, and the solidification of the two-party system. Throughout the 1950s we see the beginnings of developmentalism in the aftermath of the Moyne Commission; the deepening of the Cold War and the expulsion of the left from the People’s National Party; the growth of Rastafari, and the emergence of scholarship on the movement; and the stirrings of a “folk” arts movement, as well as the emergence of aesthetic languages of painters like David Pottinger and Albert Huie. On the global stage, the 1950s inaugurates a growing recognition of Jamaican popular music through figures like Byron Lee and Don Drummond; of Jamaican sprinting prowess through Olympic medalists Arthur Wint, Herb McKenley, and George Rhoden; and of literary influence through the publication of Vic Reid’s New Day, Roger Mais’ Brother Man, and John Hearne’s Voices Under the Window, among others. The firm establishment of the social sciences at the UCWI and the appearance of texts like Douglass Hall’s Free Jamaica, and M.G. Smith’s work on pluralism generates an interrogation of both the legacies of the past and the promises of nationhood. Within other organs, too, these legacies and promises were publicly debated. The period also marks the moment during which questions of “women” and “gender” begin to emerge on the scene of scholarly, literary, and artistic production. The period ends with the dismantling of the West Indies Federation and the independence of Jamaica and Trinidad. 

The long 1950s, therefore, encompass the pivotal moments that set into motion the infrastructures of modern political, social, economic, and artistic activity. They also bring into relief struggles over the appropriate spheres of interaction – national, regional, pan-African, diasporic – thus inaugurating an ongoing process of disciplining (and challenging) the scales at which we have sought to organize and imagine our futures. By the end of the decade, we see that the earlier twentieth century story of an emergent civil society in Jamaica is displaced by the story of political society. The result of this has been a particular kind of formal decolonization, one that lacks some of the decolonial social and cultural visions of earlier moments, and one that also resists those forms of decoloniality being enacted in the popular realm. Looking at the long 1950s closely and patiently, therefore, gives us windows into the contestations over the scale and scope of Jamaica’s political futures during the moment just before they sedimented into nationalism.

Program
Thursday, 4 April
Halney Auditorium, The Penn Museum of Anthropology and Archaeology
Continue reading The Jamaican 1950s: ​A Symposium

Research Associate for the IRADAC

Review of applications will begin on 1 April 2019.

The Institute for Research on the African Diaspora in the Americas and the Caribbean (IRADAC) was founded to address the African presence in the Americas through scholarly research and public programs for the betterment of the public as well as the academic community. The Institute’s mission is to foster understanding and critical interpretation of the history, development, conditions, status and cultures of the diverse peoples of the African Diaspora.

As part of the Provost’s Diversity Initiative, the CUNY Graduate Center seeks a Research Associate/Post-Doctoral Fellow to support the development of early career scholars from diverse backgrounds (with particular attention to historically underrepresented groups in the academy) who show promise as innovative scholars in the field of Africana Studies. The incumbent will participate in activities related to IRADAC and to the Ph.D. program of his/her own discipline. The Post-Doctoral Fellow will engage in his/her own original research and scholarship and will publish the results of his/her research. S/he will present the research to scholars and the public through conferences, seminars, workshops and/or symposia thus furthering the mission of IRADAC as it pertains to the African Diaspora. Teaching opportunities are possible with an adjunct appointment. This position reports to the Director of IRADAC.

The appointment will be for the academic year 2019-2020, effective August 26, 2019. Continue reading Research Associate for the IRADAC

Practicing Translation, Translating Politics

4-5 April 2019
Skylight Room
CUNY Grad Center

This symposium will mark the end of an academic year in which the Committee on Globalization and Social Change has engaged the issue of “Translation.” Taking a broad view of the topic, we have treated translation as a practice and process of carrying across, of thinking and acting across various types of boundaries, whether real, reified, or imagined. We are especially interested in the profound challenges, generative possibilities, and unanticipated outcomes that follow attempts to pursue, discover, or fashion connections across singular, incommensurable, and untranslatable domains. At a time when so many planetary predicaments require translocal responses and alternatives, the politics of translation – the peril and promise of carrying across – emerges as an especially timey issue. We hope that this gathering of scholars working in different fields and world areas from various theoretical perspectives will help us to think together about the entwined political, ethical, and aesthetic aspects of translation today.

Of special note for Caribbeanists is Session III of the Practicing Translation, Translating Politics symposium, at 3pm on Friday, featuring presentations by Kaiama L. Glover and Brent Hayes Edwards. Their presentations are entitled, “Blackness’ in French: On Translation, Haiti, and the Matter of Race” and “Diasporic Literature and the Task of the Black Translator,” respectively.

Continue reading Practicing Translation, Translating Politics

MLA 2020: The 1970s and The Caribbean Panel

9-12th January 2020
Seattle, Washington

CFP Deadline: 15 March 2019

The presidential theme for the 2020 MLA Annual Convention is Being Human. MLA members are invited to reflect on the role of literature and language in defining the nature of the human in the face of what appears to be its diminishment and to provoke debates on the role of the humanities in a changing world. What has been the role of the creative imagination in marking out the social spaces of what we call humanity? How has literature been called upon to bear witness to both the possibility and limits of the human in the modern world? How has the human condition been thought and written about in diverse historical periods and geographic spaces? Can literature and its criticism continue to inspire the desire for human freedom in an age of intolerance? What is the role of a diverse community of writers and readers in the thinking of the world and our relation to it?

Rafe Dalleo and Sheri Harrison are seeking  presentations on the significance of the 1970s to cultural engagements with the Caribbean’s postcolonial history. Email your 300-word abstract and 1-page CV to Rafe Dalleo ([email protected]) and Sheri Harrison ([email protected] ) by March 15, 2019.

Above texts adapted from webpages.

Visiting Assistant Professor in Afro-Latinx Studies

Application Deadline: 15 March 2019

The Department of Social and Cultural Analysis at New York University invites applications for a Visiting Assistant Professor (non-tenure track) in the field of Afro-Latinx studies. The appointment will begin on September 1, 2019, pending administrative and budgetary approval. This is a one-year appointment, with a possibility of renewal for up to three years. The candidate is expected to teach a 2/2 load.

We seek interdisciplinary applicants whose research complements and intersects with our existing Latino/a/x/ faculty and the diverse programs that are housed in the department. For more information about the NYU Department of Social and Cultural Analysis, visit our website.

Candidates must have completed a Ph.D. in a relevant discipline by May 2019.

Application Instructions:
Submit the following documents via interfolio by March 15th.

  • a cover letter
  • curriculum vitae
  • a 20-page writing sample
  • a sample syllabus.

Above text adapted from webpage.

Haitian Studies Association 31st Annual Conference

Haitian Studies in Changing Climates

17-19th October 2019
Gainesville, Florida

Plenary Deadline: 15 April 2019
CFP Deadline:
 1 May 2019


Philippe Dodard 48”x48” Untitiled 2014. Acrylic on canvas.

Haitian Studies has evolved over the past thirty years from a small group of dedicated scholars, mostly in the humanities, to a robust interdisciplinary association ready to broaden its horizons, address unique challenges and embrace new opportunities.  This year we will go to the largest public university in the Sunshine State, home to the largest Haitian Diaspora.  We envision a large scope of discussions that will allow us not only to reflect on these important historical Diasporic ties and their socio-economic implications but also explore the tracks of tropical storms and hurricanes that bind our destinies.   Continue reading Haitian Studies Association 31st Annual Conference

Caribbean Film Series: A 5th Anniversary Festival

14 – 17 March 2019
BAM Rose Cinemas
30 Lafayette Ave.
Brooklyn, NY 11217

Description from the Caribbean Film Academy website: Caribbean cinema is at a high point critically and artistically, in the ways its filmmakers thrill, entertain, and inform audiences globally. This four-day festival marks the five-year anniversary of the Caribbean Film Series, providing an unparalleled platform to reflect on the Caribbean and its diasporic experiences, in new and unconventional ways.

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Schedule of film screenings: Continue reading Caribbean Film Series: A 5th Anniversary Festival

Black Imaginaries, Scandinavian Diasporas

March 5-7, 2019

Join Jeannette Ehlers (Denmark/Trinidad), Ellen Nyman (Sweden), and La Vaughn Belle (St. Croix) for three events in a series of conversations on the aesthetics of decolonization. These artists will discuss how their art practices across different media are designed to provoke conversation about colonial legacies and contemporary racial politics on the ground in Sweden, Denmark, and St. Croix.

All events are free and open to the public.

Imagining Race in Scandinavia: Panel Discussion
Featuring Jeannette Ehlers, Ellen Nyman, and La Vaughn Belle, moderated by Monica Miller
6:00pm – 7:30pm
5 March 2019
Event Oval, Diana Center
3009 Broadway, New York, NY 10027

Faculty Seminar and Luncheon
Featuring Jeannette Ehlers, Ellen Nyman, and La Vaughn Belle
12:00pm – 1:30pm
6 March 2019
BCRW Conference Room, 6th Floor, Milstein Center
31 Claremont Avenue, New York, NY 10027
RSVP to Tami Navarro at [email protected]

Artists’ Presentation
Featuring Jeannette Ehlers, Ellen Nyman, and La Vaughn Belle, Moderated by Tami Navarro
6:00pm
7 March 2019
Digital Humanities Center, Ground Floor, Milstein Center
31 Claremont Avenue, New York, NY 10027

Continue reading Black Imaginaries, Scandinavian Diasporas