Afro-Digital Connections: Afro-Latino and Afro-Descendant Cultural Production in the Digital Age

An edited collection

CFP deadline: Abstracts due 1 May 2016

Editors: Eduard Arriaga and Andrés Villar (Western University, Ontario)

Two decades ago, scholars in fields such as communication and information studies questioned the way social relations would be adapted to the increasing importance of global digital networks and to the tools used for digital communication. Maizies (1999) has inquired whether universal access, if granted, to processes of communication and representation that incorporate other processes of production, distribution, and consumption within global digital networks will be negotiated or imposed. This issue remains current because of the ubiquity of paradigms such as those of Big-Data, Cultural Analytics, and the Digital Humanities. These paradigms are fuelled by the increasing importance of digital networks (for example, social networks, financial corporations, etc.) and the centrality of their users as sources of information.

In the Americas (North, Central and South) and the Caribbean, the issue becomes more nuanced due to the central role played by race and ethnicity in the construction of political and social relations that are reflected in people’s daily lives. Over the last two decades or so, the region has witnessed the emergence of ‘minority’ artists, activists, and organizations that take advantage of digital tools that are now more accessible: mobile technologies and social media tools increasingly allow these actors to supply their own images and self-representations. This edited book will explore the way Afro-Latin@, Afro-Latin American and Afro-Caribbean writers, artists, activists and organizations – NGO’s, grassroots communities, etc.- have adopted online digital tools and mobile technologies to create self-representations, question traditional images, and connect with communities around the globe that share similar ethno-social perspectives. This book also seeks to shed light on contemporary processes of memory creation, artistic representation, ethnic connection, digital cultural production and resistance/reparation in order to understand how ethnic communities -particularly Afro-descendant ones- are adapting these tools to their own cultural and political practices. To that end, we invite manuscripts that address Afro-Digital Connections topics including the following:

* African and Afro-descendant digital activism
* African and Afro-descendant digital art, digital performance, and digital literature
* Digital humanities and reparations for Afro-descendant communities
* Oral histories and digital archives
* Theoretical interventions exploring ethnicity/race and digital technologies
* Digital interventions that reconfigure African and Afro-descendant symbolic imaginaries.
* Critical perspectives on digital inclusion
* Digital actions against police brutality and government violence

Submission Guidelines: If interested, please submit proposals in Spanish, English or Portuguese (300-500 words) and (one-page) CVs to Eduard Arriaga (earriag@uwo.ca or earriaga@alumni.uwo.ca) or Andrés Villar (avillar2@uwo.ca) by 1 May 2016. When submitting your abstract, please use “Contribution Volume Afro-Digital Connections” as the subject line.

Above adapted from ASWAD email announcement.

Call for abstracts for MLA 2017 Proposed Special Session:

“Margins to Mainstream: US Latino/a Performance”

This proposed special session for the 2017 MLA Convention in Philadelphia will focus on the genre of US Latino/a performance, which can include performance poetry, drama, performance art, and/or film. Submissions that focus on mainstream productions (Broadway, Hollywood, and/or US Latino/a ethnic traditions) as well performances on the margins of these sites are encouraged. The panel will engage with issues of genre as well as questions of authenticity, sexuality, language, history, politics and the marketplace. Submit 250 word abstracts and 2-page CVs by 1 March 2016 to Elena Machado Sáez (e.machado@bucknell.edu). Participants must be MLA members by 7 April 2016.

Above adapted from emailed announcement.

Call for Papers: Special Issue of Anthurium: A Caribbean Studies Journal

Deadline for abstracts: 1 April 2016

Full papers due: 1 August 2016

This special issue of Anthurium: A Caribbean Studies Journal seeks papers and reflections on the work of Paule Marshall, situating the author and her writings within the canons of Caribbean, American, African-American, and/or Women’s literature. In particular, we are interested in contributions that consider how, and why, Marshall’s work remains vibrant today, near sixty years after her first publication.

Born in Brooklyn of Barbadian parentage, Marshall has made major contributions to each of these canons via seven works of fiction, a memoir, and several essays on writing and culture. From her first novel, Brown Girl, Brownstones (1959), through her recently published memoir, Triangular Road (2009), Marshall’s writings have poetically evoked the Afro-Caribbean experience in the region and in the Caribbean diaspora. Given the broad spectrum of her oeuvre, her work regularly appears on syllabi across various disciplines in the humanities, attesting to the contemporary significance of her work. Despite this reach and relevance, or perhaps in some ways because of it, scholarship on Marshall remains limited to individual voices in monographs and scattered articles, obscuring the ongoing impact of her contribution to literature and the humanities more broadly. Therefore, this special issue aims to present a rich and diverse examination of how Marshall’s writings continue to speak to today’s personal, national, and global anxieties surrounding, amongst others, questions of race, nation, family, gender, and sexuality.

We are open to scholarly papers, reflections, and creative work covering any of these questions, as well as others not stated above. We are especially interested in submissions that consider Marshall’s less studied texts and/or her work in building the next generation of African & African Diaspora literary community while on faculty at New York University.

Prospective contributors should email 300-500 word abstracts by 1 April 2016. Final versions of accepted papers will be due 1 August 2016. All completed manuscripts must be submitted for peer review via the Anthurium electronic submissions system. Please send abstracts and all inquiries to Kelly Baker Josephs (kjosephs@york.cuny.edu).

***

About the special issue editor: Kelly Baker Josephs is Associate Professor of English at York College/CUNY. She specializes in World Anglophone Literature with an emphasis on Caribbean Literature. Her book, Disturbers of the Peace: Representations of Insanity in Anglophone Caribbean Literature (University of Virginia Press, 2013), considers the ubiquity of madmen and madwomen in Caribbean literature between 1959 and 1980. She is the editor of sx salon: a small axe literary platform and manages The Caribbean Commons website.

About the Journal: Anthurium, a peer reviewed Caribbean Studies Journal founded in 2003, publishes original works and critical studies of Caribbean literature, theater, film, art, and culture by writers and scholars worldwide exclusively in electronic form.

The Eighth Annual Charles Town International Maroon Conference: Toward a Borderless Indigenous Community

23 – 26 June 2016
Asafu Yard, Charles Town
Portland, Jamaica

CFP deadline: Abstracts (250-300 words) due by 1 March 2016 to fbotkin@towson.edu (extended deadline)

Call for Papers

Indigenous communities offer models of collective sustainability, territorial sovereignty, ecological justice, and cultural persistence, keenly appealing to a world threatened by environmental rapine and ideological warfare.  The Eighth Annual Charles Town International Maroon Conference aims to build a global indigenous community without borders.  Legacy of the recently deceased Colonel Frank Lumsden, leader of the Charles Town Maroons, this vision of global unity among geographically distinct yet politically allied indigenous communities advances an alternative to global disaster that combines transnational commonality with cultural specificity and political purpose. This conference solicits papers and participants committed to this vision of cross-cultural engagement, exchange, and creativity, especially work directed toward creating terms of unity among diverse indigenous peoples that might provide models for collective sustainability and persistence for the world at large.

A central focus of this year’s conference will be the experience of indigenous women.  Gloria Simms, known also as Gaa’man Mama G, will present a keynote address on the cultural legacy of Nanny, the great Maroon leader.  Founder of the Maroon Indigenous Women’s Circle, tireless women’s activist, and bearer of the highest honorific title among Maroons in Jamaica, Mama G recently portrayed Nanny in a documentary film by Roy Anderson entitled Queen Nanny: Legendary Maroon Chieftainess.  A screening of the film will follow her address, with its director and producer in attendance.

Taking place in the Asafu Yard, the Charles Town International Maroon Conference explores the issues, values, and practices of Maroons and Indigenous peoples around the globe.  It considers the ways these practices and values have endured, transformed, and resonated in the Caribbean, Canada, Australia, South America, Europe, the United States and Africa. Offering a unique combination of scholarly panels and cultural events, it aims bring together descendants of Maroons and Indigenous Peoples with scholars interested in Maroon heritage and indigenous cultures.

Issues to consider might include, but are not at all limited to:

• Indigeneity
• Marronage
• Land Rights
• Geography and Culture
• Language and Literature
• Ethnomusicology
• Cultural heritage
economics
• Laws and legality
• DNA

Please send abstracts of 250-300 words by February 15, 2016, or inquiries to fbotkin@towson.edu

Above adapted from emailed announcement.

Book chapters sought for anthology to be edited by Celucien L. Joseph, PhD

Deadline: 300 word abstract by 29 February 2016, emailed to (celucienjoseph@gmail.com)

Call for Papers

Jean Price-Mars (1876 – 1969), Haitian physician, ethnographer, diplomat, educator, historian, politician, was a towering intellectual in Haitian history and cultural studies, and a Pan Africanist who called to reevaluate the contributions of Africa in universal civilizations and to revalorize African retentions and cultural practices in the Black diaspora, especially on Haitian soil. Through his writings, Price-Mars, whom Leopold Sedar Senghor called “the Father of Negritude,” sought to establish connecting links between Africa and the Black Diaspora, and the shared history and struggle between people of African descent in the Diaspora.

For many scholars, Price-Mars is the father of Haitian ethnology and Dean of Haitian Studies in the twentieth-century, and arguably, the most influential Haitian thinker that has graced the “Black Republic” since the death of Joseph Auguste Anténor Firmin in 1911. In Haitian thought, Price-Mars has exercised an enduring intellectual and ideological influence on the young Haitian intellectuals and writers of the generation of the American Occupation in Haiti (1915-1934) and the post-Occupation culture from the 1930s to 1970s. He is especially known for launching a cultural nationalism and an anti-imperial movement against the brutal American military forces in Haiti.

The writings of Price-Mars were instrumental in challenging the Haitian intellectual of his leadership role in the Haitian society, and in promoting national consciousness and unity among Haitians of all social classes and against their American oppressor. Comparatively, his work was a catalyst in the process of shaping and reshaping Haitian cultural identity and reconsidering the viability of the Afro-Haitian faith of Vodou as religion among the so-called World religions. His thought anticipated what is known today as postcolonialism and decolonization.

Moreover, scholars have also identified Price-Mars as the Francophone counterpart of W.E.B. Du Bois for his activism, scholarly rigor, leadership efficiency, and his unremitting efforts to challenge Western racial history, ideology, and white supremacy in the modern world. Unapologetically, Price-Mars challenged the doctrine of white supremacy and the ideological construction of Western history by demonstrating the equality and dignity of the races and all people, and their achievements in the human historical narrative. As Du Bois, he was a transdisciplinary scholar, boundary-crosser, and cross-cultural theorist; in an unorthodox way, he had brought in conversation various disciplines including anthropology, ethnography, geography, sociology, history, religion, philosophy, race theory, and literature to study the human condition and the most pressing issues facing the nations and peoples of the world, as well as the possible implications they may bear upon us in the postcolonial moment.

Between Two Worlds: Jean Price-Mars, Haiti, and Africa is a special volume on Jean Price-Mars that reassesses the importance of his thought and legacy, and the implications of his ideas in the twenty-first century’s culture of political correctness, the continuing challenge of race and racism, and imperial hegemony in the modern world. Price-Mars’ thought is also significant for the renewed scholarly interests in Haiti and Haitian Studies in North America, and the meaning of contemporary Africa in the world today. This volume explores various dimensions in Price-Mars’ thought and his role as medical doctor, historian, anthropologist, cultural critic, public intellectual, politician, pan-Africanist, and humanist.

Hence, the goal of this book is fourfold: 1) The book will explore the contributions of Price-Mars to Haitian history, thought, culture, literature, politics, education, health, etc., 2) This volume will investigate the complex relationships between Haiti and the Dominican Republic in Price-Mars’ historical writings, 3) It studies Price-Mars’ engagement with Western history and the problem of the “racist narrative,” and 4) Finally, the book will highlight Price-Mars’ contributions to Postcolonialism, Africana Studies, and Pan-Africanism.

Successful applicants will be notified of acceptance in the first week of April 2016. We are looking for original and unpublished essays for this book. Translations of Price-Mars’ works in the English language are also welcome. Potential topics to be addressed include (but are not limited to) the following:

Price-Mars as Historian
Price-Mars’ engagement with Western history
Price-Mars’ interpretation of Haitian history
The function of Haitian heroes and heroines in Price-Mars historical writings
The Origin (s) and History of Haiti and Dominican Republic in Price-Mars’ works
Particularism and Universalism in Price-Mars’ historical writings
Price-Mars as Cultural Critic and Public Intellectual in Haitian Society
Price-Mars as cultural theorist and literary critic
The role of Price-Mars’ thought in the Haitian Renaissance in the first half of the twentieth-century
Price-Mars and the Crisis of Haitian Intellectuals
Price-Mars and the Crisis of Haitian bourgeoisie-elite
Price-Mars, Vodou, and the Haitian culture
The Haitian peasant in the writings of Price-Mars
The Education of the Haitian masses in the writings of Price-Mars
The problem of Race in Price-Mars’ writings
Haitian Women in the thought of Price-Mars
Price-Mars’ contributions as Medical doctor in Haitian society.
Price-Mars as Politician
The Political career and goals of Jean Price-Mars
Price-Mars, Haiti’s Ambassador to the nations
Price-Mars and the American occupation and American imperialism
The political philosophy and democratic ideas of Price-Mars
Nationalism and Patriotism in Price-Mars’ thought
Price-Mars as Pan-Africanist
African history or the meaning of Africa in the writings of Price-Mars
The Black Diaspora in the thought of Price-Mars
Price-Mars’ Postcolonial Rhetoric and Linguistic Strategy
The Vindication and Rehabilitation of the Black Race
The Role and Contributions of Pre-colonial African civilizations to world civilizations
Price-Marsian Negritude or Blackness

About the Editor

Dr. Celucien L. Joseph is currently an Assistant Professor of English at Indian River State College. He received his Doctor of Philosophy from the University of Texas at Dallas, where he studied Literary Studies and Intellectual History. Professor Joseph also holds an M.A. in French language and literature from the University of Louisville. In addition, he holds degrees in theological and religious studies. He serves in the editorial board and Chair of The Journal of Pan African Studies Regional Advisory Board; he also the curator of “Haiti: Then and Now.” He edited JPAS special issue on Wole Soyinka entitled “Rethinking Wole Soyinka: 80 Years of Protracted Engagement” (2015). Dr. Joseph is interested in the intersections of literature, history, race, religion, theology, and history of ideas.

Above adapted from H-Net announcement.